A collaborative effort between the Marketing and Artistic teams, the show images for the 2019-2020 season at New Repertory Theatre aims to reflect important aspects of each play. First, I designed a title treatment, which acts as alogo for the show. Then through a combination of finding images and shooting photographs, we developed the style which would feel representative of each show. These images will be used in a variety of medium, from print collateral to digital as shown below.
Postcards and programs created for the 2018-2019 ‘Awakening’ season at the New Repertory Theatre. For each production, I created a variety of print collateral including but not limited to postcards and programs. On display here, you see the cover design, an interior shot and the postcard back for each ‘Awakening’ show I worked on.
I created this program as part of the New Rep 2019 fundraising Gala, ‘Entr’acte’. The cover design was adapted from a provided image, and the interior design was extrapolated from there as well.
These postcards where part of a series of recruitment materials created for Urbanity Dance in the summer of 2015. They advertise several classes available at the Urbanity Dance School, including their Adult Summer Sessions and several youth programs. While working with Urbanity, I began to develop a consistent visual language for the company, using minimalistic photography and type treatments, which I applied to all their print materials.
The Actors’ Shakespeare Project’s youth production of the Tempest required a broad variety of materials, and as such it was important to create an identity which could be used both on screen and in print. Tasked with bringing the director’s vision of the fantastical storm to life, I drew inspiration from Japanese Ukiyo-e prints and created a linoleum print as the basis for this campaign. The campaign for the project included an a postcard and program, as well as a Lobby Board, and a web materials.
For all your insulting needs, this book is designed to generate zingers worthy of the fools of old. Letterpressed and assembled by hand, these books posed a formal challenge in order to develop a structure that would allow the reader to determine the viewing path.
Over the course of my studies in drama and literature, I have often wished it was easier to find full text of a play online, or a recording of a production. While these resources often exist, they are scattered across the internet and can often take extensive searching to find. This website is designed to function as a database for plays and other theatrical productions. It aims to collect into one location for any given play: the full text in the form of an e-book, any existing audio readings of the play, and existing recordings of productions of the play.
It’s designed to separate all of theater by region, and then divides down into a timeline. From here, it’s filtered by country, and within each country by author. For each featured author, the works are sorted by genre.
click to play walk through
This is a typeface designed to be used for the dialogue in comic books and graphic novels. Most of the typefaces used in America use solely uppercase characters, and as a consumer I find that very difficult to read. Therefore, this face is designed to provide illustrators and typographers with an option which has both an upper and lowercase. In designing this typeface, it was important to me that the characters retain the hand-lettered feel to which comic readers are accustomed, and that it feel fast paced to help drive a reader through high-intensity action sequences.
image credit: Captain America & Bucky, #621 MARVEL Comics
This series of posters explores the works of playwrights in the sixteenth and the turn of the seventeenth century. Each poster reflects important themes or possible adaptation of each play, as decided upon by an artistic director and myself. This series is intended to reflex the wide range of moods and subject matters from this era of drama, which is so often lumped into the category of stuffy academia.
A redesign of Corey Keller’s book Brought to Light: Photography and the Invisible, this book draws its color palette from the warm brown and tan tones found in early x-ray images. This book is stitched and bound entirely by hand, creating a crafted object in addition to the redesigned layout in the codex.
